The Maze

DEPOT Boijmans Van Beuningen

The Maze by Marieke van Diemen in the atrium of Depot Boijmans Van Beuningen: thirteen floating glass-and-steel cases offering a 360-degree art experience in a transparent maze.

The Maze

Space and perception

The Maze is a conceptual design by Marieke van Diemen, in collaboration with MVRDV, located in the publicly accessible Depot Boijmans Van Beuningen. The work plays in a unique way with space, museum display practices, and the way objects are perceived.

Foto © Aad Hoogendoorn

Thirteen Floating Display Cases

Van Diemen’s design consists of thirteen ‘floating’ glass and steel display cases of varying shapes and sizes, collectively encompassing over 400 cubic meters. These uniquely shaped cases offer 360-degree views of the objects inside, allowing visitors to examine the artworks from all angles. This transparency challenges the traditional way selections are made from the renowned collection, as each piece must be considered fully visible and in spatial context rather than in a conventional front-facing display. The result is a layered experience in which the objects form new connections depending on the viewer’s position.

Labyrinth or Maze?

The title The Maze plays on a subtle distinction in Dutch: a labyrint has a single route leading to its center, while a doolhof offers multiple paths, entrances, and exits. In English, these terms are often used interchangeably, but Van Diemen deliberately embraces the concept of the doolhof. While Boijmans’ house style reflects the conventional museum experience of a fixed, curator-led path through the collection, The Maze subverts this by inviting visitors to choose their own route, creating a playful, dynamic interaction between space, art, and the viewer.

Curated Dialogues Between Objects

Much of the arrangement inside the display cases was carefully composed by Van Diemen for the opening of the Depot in 2021. She arranged artworks and objects from the museum’s collection in ways that responded to the unique shapes and transparencies of her vitrines. Instead of grouping items by era, medium, or theme — as in a conventional exhibition — she created visual dialogues between seemingly unrelated objects, allowing color, form, texture, and other elements to spark unexpected connections. These thoughtful juxtapositions turn each case into a self-contained composition, while simultaneously contributing to the rhythm and spatial experience of The Maze.

Architecture and Perspectives

The building was designed by MVRDV and includes the atrium of the Depot. The space is traversed by zigzagging staircases that bring to mind the imaginary architectures of the Italian artist Giovanni Piranesi, offering multiple vantage points to view the floating artworks. These stairs, along with the varying heights and positions of the display cases, create ever-changing perspectives and sightlines through the cases to the surrounding storage compartments with glass windows.
labyrint huisstijl doolhof - museum boijmans van beuningen

Experiencing the Maze

With The Maze, Van Diemen not only presents art but also questions how we experience it. The installation blurs the boundaries between exhibiting and preserving, and between looking and perceiving. Visitors are invited to lose themselves in the literal and figurative maze, discovering personal connections and associations between the objects on display.

Read more about The Maze

Interview with Marieke, opens as PDF

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